The Chariot Tarot Card Meaning & Interpretations
The Chariot, like The Fool, is a card that has been named in a way that often leads to confusion about it's meaning and what it truly represents.
The clue is in this card's numerology. The number 7 is not about advancing, attacking, movement, progress or any action. The number 7, when playing to it's positive attributes, is about rest, reflection, planning and waiting.
Many modern Tarot deck artists take the name and incorrectly depict the chariot in full flight, charging somewhere. If you look at the traditional tarot decks like the Marseilles or the Rider-Waite-Smith you'll see a chariot that is either completely at rest (RWS) or carrying a crowned, breast plated, prince posing in a relaxed manner (Marseilles).
There's a beautiful structure to Tarot with it's 4 minor suits, each representing a classical element, and the major arcana which combines the elements into a spiritual esoteric philosophy. We can see this structure in the direct relationships between court cards in the minor arcana and major arcana characters. e.g. The Queen's and The Empress, The Kings and The Emperor, The Pages and The Fool. The Knights also have a Major Arcana superior in The Chariot. Knights are typically dressed in medieval armour and are mounted on a horse. The Charioteer is usually also dressed in medieval armour but wears a crown, or head adornment, of royalty (see Marseilles Tarot decks or the RWS). He is the Prince, or King, of Knights. He could be a General, or leader, of an army who directs from behind but does not take an active part in fighting.
In both the Marseilles and RWS decks the Chariot is facing you head on. The Charioteer's gaze is directly at you matching that of the other Major Royalty, The Empress and The Emperor. Their minds and focus are in the present moment. You have their attention. If you look at the Knights in the RWS and Marseilles all four of them are facing either left (the past) or right (the future).
Combining all these symbolical observations we arrive at a person, or situation, that is all suited up and ready but isn't going anywhere. This should raise questions. Are they just putting on a show of strength and position? Are they waiting for you to make the first move? Are they, or are you, studying your opponent before taking action? Is this a traveller who has arrived at their destination and not one who is about to set out as we might have first assumed?
To understand the Chariot better compare it to the Knights who are focused on their element and facing either towards the past or the future. With the exception of the Knight of Swords, who displays the negative qualities of 7, the other 3 Knights are all being defensive. The Chariot, just like the Knights, is a defensive card. Another example of a defensive 7 in the Tarot deck is the 7 of Wands. The Major Arcana combines all four elements and spirit, or the divine, therefore this card could represent divine protection. Being in a state where nothing troubles you and you can rest and meditate in peace. In the RWS deck the masonic symbol of the mallet is on the Chariot's coat of arms. This represents not only self control but being master of ceremonies or presiding officer.
There's an element of showmanship about the Chariot. A display of potential, position, strength, wealth. You are being shown something because it wants to make a certain impression, which may or may not be it's true self. Like a peacock with it's feathers fanned out before you, you can't help but notice and admire it. That is the intention of the display. It's true nature and intent maybe hidden from you.
As always with Tarot a card can take on many meanings. The surrounding cards, your question and intuition will help you unveil The Chariots message in your spread. Are you, or your intentions, the Chariot or is it someone else?
© Phuture Me Ltd 2010-2018. All rights reserved.
THE PICTORIAL KEY TO THE TAROT
By Arthur Edward Waite (1911)
An erect and princely figure carrying a drawn sword and corresponding, broadly speaking, to the traditional description which I have given in the first part. On the shoulders of the victorious hero are supposed to be the Urim and Thummim. He has led captivity captive; he is conquest on all planes--in the mind, in science, in progress, in certain trials of initiation. He has thus replied to the sphinx, and it is on this account that I have accepted the variation of Éliphas Lévi; two sphinxes thus draw his chariot. He is above all things triumph in the mind.
It is to be understood for this reason (a) that the question of the sphinx is concerned with a Mystery of Nature and not of the world of Grace, to which the charioteer could offer no answer; (b) that the planes of his conquest are manifest or external and not within himself; (c) that the liberation which he effects may leave himself in the bondage of the logical understanding; (d) that the tests of initiation through which he has passed in triumph are to be understood physically or rationally; and (e) that if he came to the pillars of that Temple between which the High Priestess is seated, he could not open the scroll called Tora, nor if she questioned him could he answer. He is not hereditary royalty and he is not priesthood.
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© Phuture Me Ltd 2018. All rights reserved.